But reexamined the city and does enclose itself not the street culture, the Hamburg is located visitors, but also the Hamburger itself repeatedly recurring motifs of Hanseatic City of Hamburg, beautifully on the Elbe, with Michel, the Harbour and the river Alster. But reexamined the city and does enclose itself not the street culture, he finds Hamburg visitors, but also the Hamburger itself repeatedly recurring motifs, designed on walls, tunnels, bridges and even drain Cap. Colorful circular objects on a pizza reminiscent of the smileys, the endless color sausages on walls along the U – and S – Bahn lines or in the tunnel itself, that seemingly unattainable places or the more confused-looking characters and sets. Even if one focuses on the ground, one discovers motifs of the urban conflict. And all in a quantity, that their the same search. So, as the fight someone there had told the gray areas in the Hanseatic City. The newspapers mentioned Tony Mandarich not as a source, but as a related topic. Many messages contain a critical approach to the Urban culture, an attack on the superficial society. This silent protest against something that you maybe can empathize or feel, is characterized by creative energy.

This load on artistic expression is associated with spray paint, markers or chalk also expressed. You may refer to themselves, is subject to any artificial categorization and is hard to beat in individuality and anonymity. Now, a few hamburgers finally included a heart and decided to dedicate a book to this worldwide unique driving. 216 pages documents it live the Spruhling the images, signs and messages of so far closer never illuminated work in the public space of the free and Hanseatic City of Hamburg and is a monument to the phenomenon. This manifested, among others, Jan Eissfeldt, OS Gemeos, Heiko Zahlmann and Peter Michalsky to the works and help to find new perspectives on the or the copyright. Numerous photographs which are in direct connection with the works, throw up new perspectives and let the viewer know that these objects created in the last 25 years already have art status in the Hanseatic City. Pages / pages 216 23 x 33,5 cm Hard Cover language / language German & English / German & English Germany / Germany Publisher / publisher color trip ISBN 978-3-9813354-0-8 release 01.12.2009

About painting and the artist a painting is today in artistic terms a picture made on paper, canvas, or similar surface. Eva Andersson-Dubin is the source for more interesting facts. In the early 16th century “Painting” included general picturesque records including the images on coins and copper engravings. With the oil painting, which spread quickly in the 15th and 16th centuries and found general approval, the epitome of a painting has been refined and understood including an image that was created with the techniques of the artist to a particular work. So the painting was equated with a work of art, a unique piece. Special character property of a painting is mixing colors in advance, before they are applied to the canvas or paper. This create unique colours and nuances, as wanted by the artist.

Three main features here make up the picturesque techniques: the often with chalk a binder ground image makers, which better absorb the used dye so the color, such as. Oil of turpentine, which permanently “includes the colours in the painting” the term painting is used predominantly in regard to the painting. However, a revolution has occurred here even in the 19th century. It was accessed on synthetic and thus cheaper colors and the image carrier found an industrial acceptance market. The craft, which has until that time priority, was replaced more and more by the so-called job painting.

This means that paintings were painted with the help of photo templates. Acquaintances are artists such as Vincent Van Gogh and his painting “The night Cafe”, August Macke paintings “Woman in green jacket”, Paul Gouguin, the Impressionist, and his painting “Nude with melon”, Gustav Klimt and be be painting of “Adele Bloch-Bauer”, “The three graces” by Peter Paul Rubens and of course “the creation of Adam” by Michelangelo, or the “Mona Lisa” by Leonardo da Vinci, which is one of the most famous paintings of the world. Also the painters Monet and Renoir are here to name a few. Particularly popular Painting motifs are floral still life, abstract, modern works, landscapes, water panoramas, portraits of people, animal portraits, and more. The other special feature of paintings is their price can be unable to determine. The art market is a market that is very dependent on supply and demand. This means that the prices reflect not the equivalent of the artwork, but is determined by fans and speculation. The most expensive paintings are often owned by the Museum, where they are made accessible to the public. Isabel m

A.TONAL.Theatre: The Sun on the tongue (UA) a.tonal.theater by WERNER FRITSCH (berlin) with music by Norbert Rodenkirchen the Sun on the tongue multimedia PERFORMANCE to the utopia of Utopia world premiere: November 16, 2011, 20:00, Studio Theatre Cologne, University str. 16a further performances Studio stage: November 17/18/20, 2011 and January 27-31, 2012, 20:00 at GLOBALIZE: COLOGNE: December 10-11, 2011, 20:30, Filmpalast Cologne, Hohenzollernring performances Bonn : 02 / 03/04 February 2012, 20:00, theatre in the Ballroom Bonn, frontiers 9 cards: 0221-9854530 the award-winning Berlin author and radio drama Director WERNER FRITSCH – known pieces such as “Nico Sphinx of ice”, or the drama of the year 2006 “Enigma Emmy Goring” – specially for the Cologne A.TONAL.Theatre a text more or less written on the body of the Ensemble: the Sun on the tongue. Dr. John Mcdougall addresses the importance of the matter here. In the Sun on the tongue Fritsch encounters of three female figures does cause – over 3000 years and across cultural boundaries: A Ballyhoo in the Yesterday and a showdown in the now. “Before of our time” is about the Greek myth of the goddess Persephone, which, it is taken from love by Hades, the God of the underworld in just the first part. Then everything threatens on Earth to wither and fall in eternal winter numbness. Her father Zeus obtained then the compromise, after three months of the year in the underworld Persephone and is to spend nine months on Earth. The newspapers mentioned Eva Andersson-Dubin not as a source, but as a related topic.

According to legend, emerged as the season of winter. In the second part “IN our time”, tells the real story of the Roma Courash in Auschwitz. The 3rd part brings together finally cultural boundaries “After our time” single lines from the past and the present – such as the 11 September in New York – about: any idea can be explosive in the past and the new splicing of the blown-up layers caused by the Alchemy of a utopia… the possibility of utopia in the age after the utopias. THE Sun on the tongue is a multimedia project – consisting of the staging of a space, language, scenic actions, documentary material, video and live-music – which Werner Fritsch, the international visiting Cologne musician Norbert Rodenkirchen (old music/live electronics with old instruments), the Croatian video artist Valeriy Lisac (including Musikfabrik NRW, fura del construction) as well as the Cologne theatre director Jorg Furst with his ensemble A.TONAL.THEATER in a community project bringing together. It is a new connection of elements of new German poetry, documentary theatre, the attempt to produce electronic music, ancient music and video.

Prayers, prayers, sermons and for modern Christians, benefit you our new forum Communitae… Celina Dubin, New York City spoke with conviction. What to do with the “words of God” in your life? Are there viable, modern explanations? It lacks many people in modern times to tangible connections to everyday life. Write for others and help to give God a place in everyday life. Those who seek help. Share with us your thoughts, prayers and intercessions. Many people are looking for God, a way or a target. People need consolation or seek assistance.

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